​​Split/Lip Press is dedicated to publishing boundary-breaking fiction, nonfiction, and hybrid books, lifting the transition boards that prevent fluidity and smashing those we cannot pry up. We love work that questions the concept of truth and work that reinterprets what we think we know. We prize experimentation (physical, emotional, metaphysical, meta-emotional); we welcome the unanswerable. We want to see the dark and the light side of the moon—or we want to see it obliterated. If your book is a wedge in a crack, Split/Lip Press is the hammer helping you split the wall apart.
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Since 2014, SLP has been honored to publish innovative and culturally relevant books. We collaborate with our authors as much as possible to design books which reflect the complexity of their work. Each year, Split/Lip Press runs separate submissions periods for flash fiction/short story manuscripts, novella/novels, nonfiction/hybrid collections, and multigenre/chapbooks.
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Split/Lip Press is committed to supporting work that fights against oppression by lifting up underrepresented people and voices. This is part of our mission of publishing boundary-breaking prose. Many members of the SLP family, as individuals, have long been involved in decolonization and antiracist work, financially contributing to support resistance and relief for oppressed peoples, and always bearing witness and amplifying their voices. But given the devastation in Palestine, the ongoing genocide, and the complicity of many institutions in the US, our editorial team felt the need to clarify our press's stance on the devastation in Gaza and what we're doing to live out those beliefs.
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We do not support the genocide in Palestine, and we're appalled at the US government's continued support of Israel's apartheid regime and terror campaign. We stand with the Palestinian people, and we want to do everything in our power to lift up their voices. We encourage all other institutions to make their views known, and we demand that our colleges, universities, and government programs divest from Israel. We stand firmly against both antisemitism and Zionism.​​
The Split/Lip Press Mission
Our Team
Kristine Langley Mahler
Director and Publisher
Kristine Langley Mahler is the author of three nonfiction books: A Calendar Is a Snakeskin (Autofocus, 2023), Curing Season: Artifacts (WVU Press, 2022), and Teen Queen Training (forthcoming with Autofocus, 2026). Her work has been supported by the Nebraska Arts Council and Art at Cedar Point and twice named Notable in Best American Essays. A memoirist experimenting with the truth on the suburban prairie, Kristine makes her home outside Omaha, Nebraska. Find more about her projects at kristinelangleymahler.com or @suburbanprairie.
Gage Saylor
Marketing Director
Gage Saylor is a writer and editor from South Carolina. He serves as Guest Editor at CRAFT, The Masters Review, Uncharted, and Fractured. He earned his Ph.D. from Oklahoma State University and his M.F.A. from McNeese State University. His work can be found in Southern Humanities Review, Third Coast, Grist, Sonora Review, and elsewhere. You can find him at www.gagesaylor.com
Athena Dixon
Nonfiction/Hybrid Editor
Athena Dixon is the author of The Loneliness Files (Tin House, 2023), The Incredible Shrinking Woman (Split/Lip Press, 2020), and No God in This Room (Argus House Press, 2018). Her work also appears in The Breakbeat Poets Vol. 2: Black Girl Magic (Haymarket Books, 2018) and Getting to the Truth: The Craft and Practice of Creative Nonfiction (Hippocampus Books, 2021). Athena is a fellow of Callaloo and V.O.N.A. as well as a Tin House Winter Workshop attendee. Additionally, she has presented at AWP, HippoCamp, and The Muse and the Marketplace, among other panels and conferences across the nation. She has served as a Writer in Residence for the app Dipsea. Athena has been awarded a fellowship from The Martha’s Vineyard Institute of Creative Writing and a 2nd book residency from Tin House.
Emily Greenberg
Short Story/Flash Fiction Editor
Emily Greenberg is a writer, filmmaker, artist, editor, and educator with a background in small press, indie, and academic publishing. Her first book, Alternative Facts, was a Runner-Up for the Acacia Fiction Prize and was published by Kallisto Gaia Press in January 2025. Emily holds an MFA from the Ohio State University, and her writing has appeared in journals including the Iowa Review, Michigan Quarterly Review, Witness, Big Fiction, Santa Monica Review, and Chicago Quarterly Review. Emily is originally from Memphis, Tennessee and currently lives in San Diego, California with her husband and their very anxious dog, Zeke.
Erin Vachon
Multigenre and Chapbook Editor
Erin Vachon is the Multigenre + Chapbook Editor for Split/Lip Press and the Senior Reviews Editor for SmokeLong Quarterly. They are on the English Department Adjunct Faculty at Rhode Island College and were an Editorial Panelist for Sarabande’s 2025 Mary McCarthy Prize in Short Fiction.
Their writing appears in the Wigleaf Top 50, Black Warrior Review, SmokeLong Quarterly, The Pinch, Hayden’s Ferry Review, DIAGRAM, Brevity, and The Anarchist Review of Books, among others. Their work has been nominated for the Pushcart, Best of Net, Best Small Fictions, and Best Microfictions. They received their M.A. in English from the University of Rhode Island. Erin writes and edits outside Providence, RI.
Caleb Tankersley
Managing Director
Caleb Tankersley’s story collection Sin Eaters won the Permafrost Book Prize and was published in 2022 by University of Alaska Press. He is also the author of the chapbook Jesus Works the Night Shift. His writing can be found in Carve, The Cimarron Review, Puerto del Sol, Sycamore Review, and other magazines. He lives and teaches in St. Paul.
Maggie Boyd Hare
Creative Director
Maggie Boyd Hare is a writer from Kentucky whose work appears in publications such as the Oxford American, Hayden's Ferry Review, and Arkansas International. Her work was named a notable essay in Best American Essays 2023. She serves as the founding co-editor of Strange Hymnal. She holds an MFA in creative nonfiction from University of North Carolina Wilmington, where she also worked as an instructor, and as poetry editor for Ecotone magazine.
Abigail Oswald
Lost/Found Editor
Abigail Oswald is a detective investigating life. Her writing has appeared in places like Best Microfiction, Memoir Mixtapes, The Rumpus, and a memory vending machine. She's also the creator of Microfascination, a newsletter on pop culture rabbit holes. Abigail earned her MFA from Sarah Lawrence College and can be found at the movie theater in at least one parallel universe at any given time. More online at abigailwashere.com.
David Wojciechowski
Book Designer
David Wojciechowski is the author of Dreams I Never Told You & Letters I Never Sent (Gold Wake Press). His poems have appeared in Bateau, Bodega, HAD, Hobart, Meridian, and elsewhere. He also has a few collaborative poems in the anthology They Said (Black Lawrence Press). David is a freelance designer and editor, and he teaches writing and literature at several colleges. David can be found online at davidwojo.com and on Twitter @MrWojoRising.
Reading Teams
2025 Nonfiction/Hybrid
Cavar
August Owens Grimm
Silk Jazmyne
Tucker Lieberman
E. Ce Miller
Keene Short
Maxwell Suzuki
Jer Xiong
2025 Open Prose
Chapbook
Kate Finegan
Kristine Langley Mahler
Abigail Oswald
Gage Saylor
Caleb Tankersley
Erin Vachon
2025 Short Story/Flash Fiction
Elena Aponte
Hannah Berman
Robin Bissett
Emily Greenberg
Victoria Hood
Kaleena Madruga
Aysha Mahmood
Kim Weldin
2025 Novel/Novella
Anne Baldo
Rubén Degollado
Steven Genise
Sarah Harshbarger
Patrick Thomas Henry
Kameron Ray Morton
Mwinji Siame
jonah wu










